Tony Soprano is one of the most fascinating and vague characters in television history. Understanding him psychologically is a difficult proposition, although many other person's performances have given ideas. In one early episode, Melfi husband Richard refers to Tony as Alexithymic, the brief definition being "inability to talk about feelings due to lack of emotional awareness". This definition is certainly quite accurate, as Tony often reacts to anger during periods of confusion and frustration.
One classic example of this is when Tony goes to his office and sees that someone has bought "Big Mouth Billy Bass" and put it on his table. When a singing fish reminds Tony of his dream of Big Pussy, and Tony's memory flooded with many emotions that he can't win or understand. Tony responds to these emotional floods by beating Georgie, whom he knows put the fish in his office, as this choice allows him to temporarily cover his uncomfortable feelings with this physically violent reaction.
At one point, Dr. Melfi believes that Tony has an anti-social personality disorder. People with this disorder often show a persistent pattern of behavioral disorder in their adolescent years, involving a violation of law, poor academic performance, disrespect for power, and some other assumptions, including torturing animals and starting fires. In the series we learn some things about Tony's younger years. In the 1st quarter, we learn from Uncle Junior and Livia that Tony and his friends quit a car, and also Tony used to sell stolen lobster in order to earn extra money. In other aspects, we see him cross school, break into his father and are usually very willing to bend the rules.
Go to Tony's concert and we learn that Tony has been good enough in sports to become an "athlete athlete" even though Junior said he was not. He graduates from High School and sits Seton Hall for half an hour and a half before he "got in trouble" (appearing in the Meadow at the "College" episode) and goes to prison for a short time. While Tony assures Dr. Melfi that he never participated in homosexuality, we learn his time in prison was reliably short and we can assume that his crime was relatively smaller. For a similar time, Tony robbed a Feech Lamana romantic card, a major milestone in his life as he became publicly respected as a criminal.
From this brief look at Tony teen we learn that he has probably met many symptoms of behavioral problems but probably not enough to make a solid diagnosis. Which moves us to the analysis of social personality disorder, which according to DSM-IV includes "universal patterns of misunderstanding and violation of the rights of others occurring from the age of 15, as specified by three (or more) of the following:  (1) failure according to social rules regarding legal conduct as stated by performing actions which are grounds for arrest
(2) fraud, as evidenced by recurring lies, use of alias,
(4) irritability and aggression, as evidenced by repeated physical mistakes or attacks
(5) careless neglect of self or other
(6) consistent irresponsibility, as indicated by repeated failures to maintain stability working behavior or honoring financial obligations
(7), abused or stolen by another
B. An individual is at least 18 years of age.
C sbending on continued damage by the sun for 15 years of age.
D. Psychosocial behavior is not only a condition of schizophrenia or bipolar disorder.
Does Tony meet at least three of these criteria? The answer seems to be that yes of course he does. Although he does not seem to meet the criteria for number 6, there have been many examples of his actions that meet the criteria for the 6 components. But does this analysis actually reach Tony's soprano? It doesn't seem. The fact is that Tony is capable of a selfless and extremely generous act, though often these actions have invalid reasons. It's definitely good to use the Adlerian model to explore the pattern of basic convictions to definitely look at Tony Soprano's pattern. The Adlerian model looks at the key elements of human life and also in early memories of an attempt to explore some of the key elements Adler believed created an individual style.
Gender Studies perceive by Sexual Routes and Roles
By watching their parents and gender patterns that they adopt in relationships, one learns to reflect on a personal definition of what one is and what a woman is. From watching his father, "Johnny Boy" soprano, Mafioso's respected and feared, Tony formed something of what it was to be a man. First and foremost, Tony learned that the husband is a breadwinner in the family, and that he needs to do everything, regardless of the law, to provide for his family.
Tony also learned a lot about resolving disputes from watching his father with people from the environment. One particularly important observation was watching his father with a man named Satriale who had been avoiding him because he owed him a debt. When Tony watches his father cut his man's finger for this disagreement, Tony formed an early vision of a man's length, in spite of the law, when this man owes him a debt. This vision was once again confirmed when he watched his father brutally pummel neighbor named Rocco, who also owed Johnny debt.
Tony also learned a lot from looking at his father's work for years and this had an impact on his own adult attitude to work. Tony's beating witnesses in previous situations were both an attempt to collect debts and Tony saw that much of Johnny's revenues were simply taken by force or threat of violence. There he learned that people do not have to work if they can take things from others and this was a lesson that seemed to resonate.
In one prominent event that took place in Tony's concert, he reaches his father to his mother when she rightly claims to have been with another woman. In this case, Tony, who has most likely learned of watching his father, lies many times before, saying that it is okay to lie when he is uncomfortable.
With Tony's relationship with his mother, he learned that a woman, although working at home, has great power and control over human relationships. One early vision came from watching his father and mother interacting after his father came home with a big cat and Tony watched that this was the only time his mother was always very happy. Tony also makes a connection that when his father brought presents, it was "probably the only time he got" that also created a sense of Tony that a woman only gives sexual gratification to men when they are given gifts and this was an idea that also seemed to translate into adult his life.
Interpersonal Style Got Through Family Experience in Atmosphere
The family atmosphere of the Soprano family was one of the storms and quarrels. As Tony Sister Janice rightly explains to her husband Bobby: "In the family, a dog was eating a dog." These were detailed descriptions of the soprano home, and much of this difficulty was caused by the interactions between Livia and Johnny, which were based on repeated patterns of unstoppable rubbing on Livia and the great fraud on Johnny. Livia's domination of the house can even have a historic impact on Johnny's physical decline, as she does in Tony, she owned this great man in a "little bit".
Love Livia Sopran was conditional love. Livia was extremely critical of her children and she did not show the encouragement and support of those who seemed to stimulate a lifelong self-serving pattern in both Tony and his sister Janice. Excuse children often grow up to be angry and wanting adults, as they start to feel that everything they do will not meet any requirements. In this situation, some "learned helplessness" (Seligman 1965) can occur, where the children simply give up rather than continue to compete in what appears to be stupid. This seemed to be the case with Janice Soprano, who spends life time avoiding any useful activity rather than being condemned as often as before.
However, Tony added for this lack of love as his father did by lashing out on others, finding temporary pleasure though many sexual sailing and finding patience in acquiring a physical asset.
Livia also spoke openly to killing her children when Tony was a young man, whom he must have seen as a major devaluation of his importance and worth in his mother's life. In one prominent example, Livia Tony says she could "soften him with a pillow" that fears Tony and asks him how far his mother might actually be doing a punishment in the Soprano home. Johnny Soprano, however, freely held physical punishment in the house and, in the words of Tony, "the belt was his favorite child's development tool." Clearly, Johnny showed that many of his actions in the house were violent responses to resentment, and this was also Tony's legacy.
Johnny Soprano was also constantly treacherous in his dealings with his family, and his constant betrayal was often the result of sending Livia flying in anger. One early example of Johnny's fraud came after his arrest at a child's carnival, where he tells his children that the cops have made a terrible mistake and arrested the wrong guys, which would be difficult for even a child to believe.
Another important event that confirms Johnny's constant betrayal occurred when Tony was a teenager and Livia was in a hospital suffering from a miscarriage where she was in sudden physical danger. Johnny, who spent the night with his mistress, carefully draws a lie that hit Tony who supports the lie and confirms the story to his mother in hospital. Tony walks with the lies and this event marked a major milestone as he covers the fraudulent lifestyle and begins to go down the path that his father has proposed to him.
Personal Confirmation of Confirmation / Denial of Family Validation
When Tony took his father's feet, he primarily admitted soprano family values, all of which were also exemplary of Tony & # 39; s cousin Junior. Although Tony made a brief effort to follow another way by going to college, his robbery on Feech Lamana's mapping of his father's early lesson showed that if anyone wants something that is easier to do than simply doing it . This idea was strongly strengthened when Tony was used for this ceremony and he was not only punished but actually introduced to the "family" following this brazen and irresponsible action.
For Tony, the term "family value" obviously had more than one meaning, but upon closer examination of the values created in the Sopranos home, the same things that were necessary to survive and even prosper in the family "family" Tony were also part of it. of. For example, Livia used the threat of killing someone weaker than her to maintain the order in the house and get people to follow her wishes. Exactly the same is used by the Mafia family, as the threat of unexpected violence is one of the main ways in which the family maintains its resources.
The family value of the fraud in the house was also necessary for success in a larger family of Mafia. The code "Omerta" includes silence and even avoids discussing the agency and this is an interesting link to doing so, taking into account that Livia was against Tony to go to treatment where she felt he was there to "talk" about his mother. " Livia, who wanted the family secrets to be buried, was so consumed with anger from thinking that Tony would reveal his secrets to physiotherapists, that she had actually persuaded the youth to have him killed. In contrast to Tony's concept of Alexithymic, it can be predicted that this situation may be due to the mother's absolute inability to promote the sharing of emotions in the Soprano House.
Worldwide philosophy gained through the experience of psychological birthright
As either of the three birth babies, Tony assumed the position of a classic middle-class child. A second-born child often takes clues from the oldest child who has been in the world longer and provides a guide for the second child to follow. Secondly, born children are often family rebels, where first births tend to be responsible and can often be like one parent. The other child before often finds it to happen differently than the first one, because first things are naturally better for things because of the festival and physical development. This was wholly true to Tony, as Janis seemed to enjoy whistling with his oldest position, and at least in her early childhood, her father convinced her to be mature and mature. Tony, however, immediately showed rebellious behavior and was found to be like Junior describing a small Hellion who learned to fit in and get attention through misbehavior.
Adler emphasized that the birth organ also has a psychological part in it, since literal birth can be different from physical birth. This can happen when the first-born son uses the first child and becomes the leader of children, as he comes from a culture that counts men over women. This dynamic appeared in the Soprano home. In Tony's case, Janis, who used the power to be the first but not the responsibility, really took the responsibility light as Tony's first born, who became responsible for the family when he was in adulthood.
Scope of Social Interests Acrossing Other Symptoms
Adler believed that the extent and degree of interest in homosexuality was a great consideration for his mental health. Tony never developed this interest in others, replacing others with his personal utility. There are many examples of this in Tony's life, one example being his relationship with Paulie, who fell out of Tony's financial downturn in Q4. Even in his dealings with Artie Bucco Tony often sets up how Artie can be useful to him and his constant imbalance Tony finds little ways to take advantage of this friendship for his personal gain.
Considerable obsession with Tony also demonstrates his inability to share feelings with other people, and again this behavior may have some roots in the lack of love and support he received from his mother. Tony often controls the feelings of animals that he is unable to suffer for human beings, and this symptom shows how confusing and upset Tony moves when he is faced with negative emotions.
The result is that Tony Sopano lives with little insight or thought. This lack of insight has led to an outside activity as he looks at the bad things that he has suffered as bad luck. His statements "I can't take a break" and "I'm like a king of Midas" are examples of this behavior, and these demands do not cover many, many disastrous events in Tony's life.
Tony likes to introduce the idea that he is "a sad clown" but again the evidence in his life does not seem to support this. When Tony is angry or hurt, he almost always answers physical violence, and sometimes with violent violence as he calls Melfi "cunt" following her punishment for his progress. The sad clown motif suggests Tony's common sense often fears himself and his overall pessimistic attitude to life.
Adler found it to gain insight into the behavior you might begin to understand patterns and defective thinking and logic created by these patterns. Melfi, after many years, has uncoated some of these patterns, but does not seem to offer much assistance on how to process this information. The conclusion has been that Tony continues to repeat many patterns that are inherited directly from watching their parents and his frequent promises to change his life, this is not really possible without returning to the beginning.
Adler refers to this concept as "soft" decisions, which means that the behavioral pattern of the individual would be dense and deeply entrenched and very difficult to change without much insight. Although he is almost dying, Tony is likely to return to much of his earlier behavior when he falls back into these familiar patterns.